Tranzor Z was a cartoon I used to watch after school when I was in grade school. The premise was that a teenage pilot would land a hovercraft inside the head of a giant robot and then control the robot from inside the hovercraft. The robot’s name was Tranzor Z, and he defended the world from invading monsters.
I knew I wanted a song with three verses and guitar solo in the middle, so I recorded all of the music and then set it aside. (The backing track for “Tranzor Z” was actually the first piece of music I recorded for the EP.) It was only after recording pretty much the whole rest of the EP that I realized what was missing: a moment of transformation. So I wrote a verse about the kid and his friend watching TV and getting inspired by the show.
One of my favorite lines in the song is the one where “Television bathes us in a cathode ray of hope.” In my mind, I picture a kid sitting in front of the TV, getting bathed in cathode rays (kind of like the Hulk and his gamma rays), and transforming into the hero he wants to be before returning to the playground to vanquish his enemies.
Since this was the first track I recorded, it was also the first one where I started experimenting with horn sounds. In part, it was because the original series had a synthetic horn sound in the theme song, though I was also inspired by the sound of Belle and Sebastian. Once I found a sound that I liked, I wanted to use it on everything, which is how three of the four tracks on the EP ended up with so much brass.
The song is also loosely connected to “Yuck My Yum” on a few levels. For one thing, it’s the kind of show I would have been watching while the kids in my neighborhood played roller hockey. For another, it was one of Damian Smith’s favorite shows for a short while. He used to walk around his driveway and backyard with his legs sticking out from the bottom of a large box, pretending it was his hovercraft.
That is, of course, when he wasn’t busy breaking all of my toys.
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