When I loaded Thompson Crowley’s In Tongues EP into iTunes, I got a message that said “Unknown Genre.”
Fair enough, I suppose, as Crowley’s music defies easy categorization the same way most great recordings do. One of the big touchstones I’m hearing is The Kinks Are the Village Green Preservation Society, itself an album that’s difficult to fit into an obvious genre, but I’m also hearing hints of Bowie — particularly in some of the vocals — a pinch of Led Zeppelin and Robert Plant’s Eastern influences, and something approaching Harry Nilsson and Jens Lekman. I even picked up some Smiley-Smile era Beach Boys in a couple of places. Yet even as the EP drifts almost dreamily between rock, pop, folk, and world music, it hangs together beautifully as a coherent whole — clearly a labor of love recorded less as an exercise in pleasing the masses than as a heartfelt and skillful artistic statement.